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  1. 19.12.2005
    USA, Portland, Rose Garden
    Vertigo Tour Portland // IEM Larry
    exc. IEM

    Disc 1: [1:07:32]
    01. Intro [3:43]
    02. City Of Blinding Lights [6:17]
    03. Vertigo [4:30]
    04. Elevation [5:08]
    05. I Will Follow [4:14]
    06. I Still Haven’t Found What I'm Looking For [7:24]
    07. Beautiful Day [5:29]
    08. Original Of The Species [5:50]
    09. Sometimes You Can’t Make it On Your Own [5:32]
    10. Love And Peace Or Else [5:06]
    11. Sunday Bloody Sunday [8:35]
    12. Bullet The Blue Sky [5:40]

    Disc 2: [1:09:49]
    01. Miss Sarajevo [8:17]
    02. Pride (In The Name Of Love) [4:03]
    03. Where The Streets Have No Name [6:30]
    04. One (Intro) [3:40]
    05. One [8:24]
    06. Instant Karma [4:20]
    07. Encore Break [2:18]
    08. Zoo Slots Intro / Until The End Of The World [6:33]
    09. Mysterious Ways [6:08]
    10. With Or Without You [5:05]
    11. Encore Break [4:51]
    12. Yahweh [3:37]
    13. 40 [5:57]

    Taped by sharebear
    Source: IEM Receiver > HIMD > Sonicstage > Adobe Audition

    Original Notes:
    This is the Bonus feed, is the crew/larry feed. Larry only went wireless when he walked off his drumkit, other than that he was wired. When he wasn't using the wireless feed, the drum tech used it. I got a laugh out of the drum machine during Streets, it sounds so different. Enjoy it as a novelty of the bunch of feeds I recorded from that night. Wanted to get the bass feed but flubbed up on the frequency setting. Wussed out on time for the bonus feed, its mostly attached as a novelty. So untracked and no cleanup on it.

    Please don't sell this recording in any way - no cash for blanks, 2:1s, or any other form of "getting paid for your time". Just share it freely.

    Please do not matrix this recording with anything else without trying to contact me first (and please give me some time to reply). I will likely finish my matrix of it and it will be better than anything you can put together with these feeds.

    If you're going to destroy the sound of some ultra-spiffy high-end rigs by encoding and spreading them via mp3's, please keep them on your own computer and not dilute the tradepool. And I would really appreciate not seeing this sendspaced, ysi'ed , etc all over the web in 17 different formats.

    All that being said, enjoy! Enjoy how an ear monitor should sound

    And if people want more stuff sounding like this on the next tour, I can start up a donations fund to help fund for tickets + travel + lodging and then sell on ebay.. Call it Vertvid...oh wait that's been done. Have to think of a new name.

    U2Torrents.com: Torrent 4282 (by sharebear)

    -----------------------------------------------------------------------------------------------

    Lineage:
    FLAC from Torrent > wav > Adobe Audition 1.5 (for track splitting only) > wav > FLAC (Level 8)
    by U2Kristall, April 12, 2010

    Links:

    http://www.multiupload.com/0FAU9JJJBB
    http://www.multiupload.com/U349X4P6KQ
  2. thanks! love Larry's drums very much. does the drum sound sound different as compared to a "normal" live version??

    P.S. listened to WTSHNN... oh poor larry, I really didn't know you have to endure those terrible sound from your IEM to perform... now i understand why you look so unhappy on stage...
  3. Grace...this wasn't truly Larry's IEM. It was the IEM for the drum tech. Larry only uses the feed when he left his drum kit (you can hear the feed change a bit during those stretches).

    I still chuckle that people listen to this. I recorded it by mistake and tossed it up more as a novelty.
  4. Still very eager to record my own IEMs on the next tour (fingers crossed for non-encryption).
  5. And we can record more larry feeds!
  6. How does one get a hold of or record these feeds? I've always wondered, I have a few IEM bootlegs; seems like you'd have to have access to stuff only the band and crew had access to.
  7. Originally posted by thefly07How does one get a hold of or record these feeds? I've always wondered, I have a few IEM bootlegs; seems like you'd have to have access to stuff only the band and crew had access to.


    It's actually easier than people think. All you need is love an IEM receiver like this one:



    in order to pick the wireless signals that get transmitted from the soundboard to each musician's ears.


    AND also a recorder like this ones:



    or



    to record the wireless signals you're receiving with the other gizmo.


    There you go, it's pretty easy


    (the hard part is adjusting the frequencies you're receiving, seeking for the less interferences possible, getting a clean&clear recording, etc etc. But that's the part where each taper has his/her own tricks - and they won't share them with you easily )
  8. Indeed. At it's core...taping can be easy. But just like with anything, actually getting together a solid useable pull from a show is much more difficult than just plunking $1500 for gear.
  9. mp3 files ...?
  12. Links are down, please re-up!