Originally posted by superchuk5:Hi everyone,
I'm spending quarantine scratching the live music bug by really exploring the bootlegs on this site. However, I'm having trouble locating some great Elevation Tour recordings. Many of the top-rated recordings are IEM, which I am not a fan of because the metronome drives me crazy despite their terrific quality otherwise.
What are some recordings I should check out?
Thanks.
Originally posted by Release3:The Chicago run is fantastic. May 13, 2001 the “Pop” show with Gone, Discotheque and lengthy Staring at the Sun run in the beginning. May 15, 2001 tour debuts of 11 O’clock Tick Tock and Out of Control. The May 16, 2001 show with the Zoo TV beginning of 5 straight Achtung Baby songs in similar order to the set from Zoo TV. All the recordings are crystal clear.
Originally posted by BigGiRL:[..]
Let me shake your hand - virtually of course! - as a recognition of our mutal preference for audience recordings - especially the excellent audience recordings
And certainly from the Elevation Tour there are some absolute gems that I can recommend.
(...)
Enjoy - and welcome to the club
Originally posted by badirishcharlie:Elevation South Bend...first show post 9/11
https://u2start.com/shows/1264/#!audio
Elevation Cleveland
https://u2start.com/shows/1201/#!audio
Originally posted by badirishcharlie:Elevation South Bend...first show post 9/11
https://u2start.com/shows/1264/#!audio
Elevation Cleveland
https://u2start.com/shows/1201/#!audio
Originally posted by badirishcharlie:Elevation South Bend...first show post 9/11
https://u2start.com/shows/1264/#!audio
Elevation Cleveland
https://u2start.com/shows/1201/#!audio
Originally posted by BigGiRL:[..]
They are great, of course, but OP inquired specifically about audience recordings of the elevation tour...
...but maybe the subject header is a bit ambiguous...
Originally posted by deanallison:[..]
I think it was only non IEM’s the op was inquiring about because of the count and metronome, therefore soundboard, ALD, etc would all be ok as well as audience.