Performance notes: U2's first concert in Hawaii since 11 March 1985. Originally scheduled for 8 April 2006. Rockin' In The Free World was performed with Eddie Vedder and Mike McCready of Pearl Jam. The Saints Are Coming was performed with Billie Joe Armstrong of Green Day. Who's Gonna Ride Your Wild Horses was performed with a male fan, Michael Mitchell, on piano (the same fan who played piano during Yahweh on 14 December 2005). Mr Mitchell had a sign stating he could do a piano version of WGRYWH, but Bono pulled him on stage near the end of Angel Of Harlem, hoping he can play that song instead. Mr Mitchell didn't know it, so after asking Edge if he could remember the chords of WGRYWH, Bono decided they could play Mr Mitchell's chosen song instead. This show features the last performances of numerous songs: The First Time, Love And Peace Or Else, Rockin' In The Free World, The Saints Are Coming, Sometimes You Can't Make It On Your Own, Who's Gonna Ride Your Wild Horses, and Window In The Skies. Bullet The Blue Sky is not performed again until 8 May 2015. Setlist and comment provided by U2gigs.com.
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December 9, 2006
Drew's Dub (4-Source Matrix)
1. Mono IEM Icom IC-R5 > Sony MZ-NHF800 (Hi-SP)>MZ-NHF800> USB> SonicStage 4.0> WAV>
CoolEditPro> CDWAV (track splitting)> mkwSHN .97 beta1> FLAC8 Taper:D.S.
2. HP2200 iPAQ Pocket PC (WAV, 44100 Hz, 16 bits, mono, 705 kbps)> RESCO Audio Recorder v3.21>
SanDisk ultra II 1.0 GB CompactFlash> PC> Adobe Audition> Convert Mono to Stereo
(duplicated channel; not true stereo)> CD Wav Editor (split tracks)> FLAC frontend with Align
on Sector Boundaries Encoding Option Level 6> MakeTorrent 2> 2utoo Taper: u22utoo
3. CoreSound Binaurals w/bass roll-off> Edirol R-09> USB Cable> Cool Edit Pro (boost high
and low end, add fades)> CD Wave> FLAC Frontend Taper:Bakerstuff
4. Sound Professional AT933 Hyper Cardioids> Sound Pro Battery Box (Roll off @ 107Hz)>
Sony PCM-M1 (@ 44.1khz)> Sony PCM-M1> Core-Sounds 7 Pin to Coax> Zoltrix Nightingale Pro 6>
Cool Edit (Hard Limited / Normalized and fades)> CDWav (for track splitting)>
Flac Frontend (FLAC) (Version2) Taper:Chrisedge
Matrix: I used Adobe Audition 3 to matke this matrix.
01 Wake Up
02 City Of Blinding Lights
05 I Will Follow
06 I Still Haven't Found What I'm Looking For
07 Beautiful Day
08 Angel Of Harlem
09 Who's Gonna Ride Your Wild Horses
10 The First Time
11 Sometimes You Can't Make It On Your Own
12 Love And Peace Or Else
13 Sunday Bloody Sunday
14 Bullet The Blue Sky
15 Miss Sarajevo
16 Pride (In The Name Of Love)
17 Where The Streets Have No Name
18 One Speech
20 Encore Break
21 The Fly
22 Mysterious Ways
23 With Or Without You
24 Encore Break 2
25 Window In The Skies
26 The Saints Are Coming
27 Keep On Rockin' In The Free World
28 All I Want Is You
First off, Thanks to the Tapers, especially D.S.for allowing me to use the IEM. One may ask why another matrix
of this show when a good matrix already exists? Here is why, to me the other matrix sounds very distant, I don't
like the distant sound too much, so I made this one. This took countless hours over many months to make. There
were some timing issues I had to correct on all the Audience sources. The IEM has some static spots throughout,
not that bad though. This sounds much closer and what I think sounds like a well balanced recording. I diminished
the metronome on the IEM a bit, but it is still present, when I got rid of the metronome altogether, that is what made
the other matrix sound so distant. I personally don't mind the metronome. Bono's vocal's are a lot more present
and up front on this. I hate to say it, but the Audience recordings had a lot of crowd chatter throughout, I tried
my best to minimize that during the songs and inbetween where it was just way to loud. In my opinion, this is an
upgrade compared to the previous matrix. But isn't music all a matter of opinion?
Again, thanks to the tapers!
Don't sell this recording and please share Lossless only.
Audio / MP3
Bit rate: 256, bit depth: 16, sample rate: 44100, channels: 2
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"Adam became our manager and had cards printed up. For a while, Adam and Bono were certainly the two most vocal characters in the group, myself and Larry being a big younger. Adam's understanding of such exotic terms as gig and riff gave him a certain authority. I think we were using the word "rift" until Adam put us right. We were suitably impressed"
- Edge on Adam
did you know
During the recording of 'She's A Mystery To Me', which Bono and The Edge wrote for Roy Orbison, Bono quoted a phrase from 1987 that he would use on With Or Without You during these sessions in 1989 for Orbison's album: 'Sleight of hand'.