1. As we've seen in From The Sky Down, footage not used in RAH still exists and is pretty pristine so any sort of alternate cut or even an hour or 2 separately deleted documentary footage would be great and a lot more interesting than that 8 hour Let It Be which really needed a trim.
  2. Still hold out hope for the complete tempe concert though one day. Interesting how they still can't release anything more than One tree hill.

    Is it a rights issue that prevents them even releasing a proper version of that instead of that one version taken from a VHS with the SEMPTE code still on it?
  3. Agree with you, except for Get Back - I enjoyed every minute.
  4. It would be great if U2 gave Peter Jackson the keys to the vaults for a GETBACKRATTLE&HUM re-edit for streaming. It probably wouldn't happen until U2 are creatively finished.
  5. Originally posted by Lemon:Still hold out hope for the complete tempe concert though one day. Interesting how they still can't release anything more than One tree hill.

    Is it a rights issue that prevents them even releasing a proper version of that instead of that one version taken from a VHS with the SEMPTE code still on it?
    Not sure if you were aware, there are several live clips from Tempe and Denver that have found their way onto YouTube. Pride, Bad, 40, Christmas(Baby, Please Come Home) from Tempe. Trip Through Your Wires, I Still Haven't Found, UnFire, and Spanish Eyes from Denver.
  6. I think he was looking for the GETBACK edit and re-scrub!
  7. Originally posted by miryclay:It would be great if U2 gave Peter Jackson the keys to the vaults for a GETBACKRATTLE&HUM re-edit for streaming. It probably wouldn't happen until U2 are creatively finished.
    I'd be more interested in seeing the unreleased live footage rather than listening to them sitting around talking gibberish which would be extremely boring and that was something they rightly axed when the film was being made , but yeah it would be great if they released some outtakes and unused footage as part of a re release blu ray.
  8. peter Jackson shouldn't be allowed anywhere near the rattle and hum material. Unless you want to see an old U2 film that's been sandblasted with noise reduction to look like wax . Get Back was interesting if overlong....but visually fucking ugly. Total joke.
  9. Releasing Richard Lowenstein's LoveTown recordings would be a nice consolation prize if Paramount won't come to the party.
  10. Originally posted by salty72:[..]
    Not sure if you were aware, there are several live clips from Tempe and Denver that have found their way onto YouTube. Pride, Bad, 40, Christmas(Baby, Please Come Home) from Tempe. Trip Through Your Wires, I Still Haven't Found, UnFire, and Spanish Eyes from Denver.
    I am pretty sure Phil Joanou uploaded those himself.

  11. The good news is that Paramount is constantly releasing physical media of their vast back catalog of films. Some of them are getting 4K scans under their Paramount Presents line or a second printing of non-blockbusters on BluRay. This includes stuff that went out of print. And some films are going straight to 4K not under the Presents line, like Brian De Palma’s The Untouchables released in 1987.

    The bad news is that these Paramount Presents films are skimpy on bonus special features. Most of it is recycled special features that were produced decades ago.

    I’m including a pic of what these look like. They’re a bit nice looking packaging wise.

    I have faith that something will be released in the next few years. Paramount is really on top of these things. I know that this being a concert film changes the chances a bit, plus what U2Wanderer said, but I see announcements from them pretty much every day. You take a film studio like Sony that releases really awesome boxsets of their IP, but they make them super limited edition and they end up on eBay almost immediately. Just happened with their Ghostbusters boxset.
  12. Interesting Youtube Video here: