Performance notes: In the first list of 360° Tour concerts published on U2.com on 9 March 2009, this show's date was given as the 19th of October. It was one of numerous shows to then be quietly removed from the tour itinerary. It was re-announced on 6 April, and was the only date changed out of all those removed. It was U2's first concert in Norman or anywhere in Oklahoma since the 10 June 1983 concert on the War Tour. The setlist contains only the second performance of In A Little While on the second leg of the 360° Tour, and the reappearance of Unknown Caller after an absence of almost a month. Setlist and comment provided by U2gigs.com.
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Lineage: Panasonic ZS3, 2×1300mAh batteries, 16 gig SD Class 10 card > HD video streams
Conversion by me: HD video streams > AoA Audio Extractor > WAv > dBpoweramp > FLAC(6)
Lossless confirmed with EAC and TLH
01 Intro Kingdom
02 Kingdom / Breathe
03 Get On Your Boots
05 Mysterious Ways
06 Beautiful Day / God Only Knows (snippet)
07 I Still Haven't Found What I'm Looking For / Stand By Me (snippet)
08 Stuck In A Moment You Can't Get Out Of
09 No Line On The Horizon
11 In A Little While
12 Unknown Caller
13 Until The End Of The World
14 The Unforgettable Fire
15 City Of Blinding Lights
17 I'll Go Crazy If I Don't Go Crazy Tonight / Sunday Bloody Sunday
18 MLK / Walk On / You'll Never Walk Alone (snippet)
20 Amazing Grace (snippet) / Where The Streets Have No Name / All You Need Is Love (snippet)
21 Crowd noise
22 Encore break
23 Ultra Violet
24 With Or Without You
25 Moment of Surrender
Total running time = 2:02:43
There are gaps between songs as it is not sourced from a continuous stream but from single clips.
There's a small gap in Mysterious Ways (1:50) but not a major issue.
Crowd noise is present but not disturbing
I know this is not the kind of lossless recording people dreams of, but until a better source surfaces this is the only version available.
We do not have any download links available for this source. Submit if you do!
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"Pop is a very disciplined record. The song structures and arrangements are really classic: it's just the sounds and the mixes that sound odd, and I think that combination is what great pop music is all about. All my favourite records are like that: you just can't tell how they're put together. 'Strawberry Fields Forever' for example, it's one of my all-time favourites, but it sounds so bizarre, even though it's such a classic song. That's what interests me, that feeling you get when you don't know where to begin in finding out where a song came from."
- Edge, 1997