"cleaned up master"
Recorded by Mario Bono
Mastered by BigGiRL
SOURCE: Shure MV88 - iPhone 5s (recorded from Section Green 21C, Row 2, Seat 16)
LINEAGE: .wav (24bit/44.1kHz) > iZotope RX 5 (De-clip, De-click & Spectral Repair)^
> Adobe Audition (re-sample using triangular dithering > .wav (16/44.1) >
PristineSounds (track split + volume adjustments) > Frontend FLAC > .flac (level 6)
TRACK LISTING:
01-[PA intro: "The Whole Of The Moon"] - excerpt
02-Sunday Bloody Sunday
03-New Year's Day
04-Bad
05-Pride (In The Name Of Love)
06-Where The Streets Have No Name
07-I Still Haven't Found What I'm Looking For
08-With Or Without You
09-Bullet The Blue Sky
10-Running To Stand Still
11-Red Hill Mining Town
12-In God's Country
13-[Bono talk]
14-Trip Through Your Wires
15-One Tree Hill
16-["The End of the World" (excerpt*)]
17-Exit
18-Mothers Of The Disappeared
19-[encore break]
20-Beautiful Day
21-Elevation
22-Vertigo
23-[encore break]
24-You're The Best Thing About Me
25-[Bono talk]
26-Ultra Violet (Light My Way)
27-[One campaign]
28-One
29-["Cielito Lindo"]
30-The Sweetest Thing
*excerpt from: Trackdown (TV-series);
S1 e30, "The End of the World" (May 9, 1958).
^ transfer & mastering notes:
De-clip: -1.0 dB (Threshold) + Post-limiter @ -1.5dB (Quality = high).
De-click (aka "de-clap"): M-band (random clicks) - custom settings.
Spectral Repair: Attenuate - bands 1024 (all manual approach).
# BigGiRL NOTES:
Original recording came with a lot of near-by screams, claps & chat - not to
mention the occasional beer seller ("Cerveza!"). Additionally some clipping
had occurred and it suffers mildly from the wind blowing in the stadium.
But since I thought the overall sound was actually very good, I decided to give
it a clean-up treat in the iZotope RX05.
Not all could be helped (most notably the wind carrying away some treble at
times), but most loud screams (including those of the Cerveza guys!) could be
either eliminated or smoothened. Some chat during the songs still remains though.
The "de-clap" was custom build and works pretty well, although at some
points the effect is (slightly) noticeable, but not really annoying (I hope!)
I have applied no equalization, no compression, nor any other effects – so
basically this is just a "cleaned-Ip" master recording.
The only edits I have made are one at the beginning and one at the end.
(NB: the mp3 version has fades between MOTD and BD + 2nd encore break is edit)
Again, it is still not a perfect recording, but – in my opinion – certainly not
the worst JT2017 audience recording either…
So, on behalf of Mario Bono and myself: we hope you enjoy!
## TAPERS WISHES:
Don't be an ass by selling this or using it in a video that is sold.
Don't post on other sites that are not 100% free.
Don't remaster (and then post on other sites), without permission.
Do support the artists!