Performance notes: Soundcheck on the day of opening night after several months of planning and rehearsals. Larry manages to make it back just in time for afternoon rehearsal. Soundcheck is some last minute workshop, and they run a bit long and have to rush off the stage before the doors are scheduled to open.
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CA-11 Omni > CA 9100 Preamp > Tascam DR2D
Taper: DJ Soulless
Mixed, Produced, and Mastered by Sharebear/Hoserama
Aligned in Adobe Audition
Mixed in Reaper, using extra waves and Ozone plug-ins
Dithered using Izotope MBIT+
Flac'ed using Trader's Little Helper
Mix version 20200605
01. Brat on the Beat
02. Miracle of Joey Ramone
03. Out of Control
05. I Will Follow
07. Cedarwood Road
08. Song for Someone
09. Sunday Bloody Sunday
10. Raised by Wolves
11. Until the End of the World
14. Even Better Than The Real Thing
15. Mysterious Ways
17. The Sweetest Thing
18. Every Breaking Wave
19. Bullet the Blue Sky
22. The Troubles
23. With Or Without You
25. Hawkins Video
26. City of Blinding Lights
27. Beautiful Day
28. Mother and Child
29. Where The Streets Have No Name
30. I Still Haven't Found What I'm Looking For
01. Invisible Workshop
02. Edge Guitar
03. Song for Someone (Partial)
04. Sunday Bloody Sunday
05. Raised by Wolves (Partial)
07. Invisible (Acoustic)
09. Out of Control (Partial)
10. Out of Control (Partial)
12. Every Breaking Wave
13. Bullet the Blue Sky
15. Pride (Partial)
17. Miracle of Joey Ramone
18. Miracle of Joey Ramone (Partial)
19. Miracle of Joey Ramone (Partial)
21. Miracle of Joey Ramone
23. Even Better Than the Real Thing
24. Mysterious Ways
26. Guitar - I Still Haven't Found
Recording & Mixing Notes:
Recorded multiple feeds through these rehearsals. Occasional static here and there, most of which has been cleaned up. Clicks and counts have been mostly scrubbed, but you might hear a bit leftover here and there. The quiet nature of rehearsals tend to highlight some of the low-level imperfections that a robust crowd might hide. The show is more of a usual mix, wireless mix heavy during the songs and then crowd and audience faded up at key points.
Opening night is finally here after several months of planning and rehearsals. Larry manages to make it back just in time for afternoon rehearsal. Soundcheck is some last minute workshop, and they run a bit long and have to rush off the stage before the doors are scheduled to open. Overall, the show goes pretty well with only minor hiccups.
As always, encouraging people to get into taping and mixing. Just take the craft seriously and it will reward you many times over. There's no point in complaining about missing recordings or subpar quality if you're not contributing--pushing 1's and 0's around on the internet is no comparison for taping.
IEM recordings are not for everyone. If not they're not your thing, either sonically or ethically, there's excellent alternative recordings out there.
Similarly, I'm mixing primarily for my ears. This is what sounds best to me. This may not sound best to you. That's a fair statement. I'm open to honest criticism (although you should have caught me when I was working on the mix!), but pointless complaining is unappreciated (naturally). Let's play nice. Or maybe lug in recording equipment and make an alternate mix of your own sources.
Please don't sell this recording in any way - no cash for blanks, 2:1s, or any other form of "getting paid for your time". Just share it freely.
Please don't convert to mp3, then back to wave, and then trade it around. This stuff is too easy to find on torrents now.
Feel free to remaster/remix this recording. Just keep it to your own computer and iPod.
Also, please don't torrent or share on other sites without at least dropping me a line and asking. This includes Youtube and Guitars101! I may want to just torrent/share it there myself. Just ask permission, it's not that hard.
Please ask (and wait for permission!) before putting it into any matrix + video production. If you ask nicely for a quality high-res video project, I will likely say yes. If you put it on YouTube or cell phone video production without asking, I will send my cats from hell to chew your computer cables.
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what they said
"I play to the lyrics, I don't play to the bass" - Larry Mullen, talking about his approach to the collaboration on Alice Cooper's 2017 album (Larry asked to see the lyrics for the songs he was working on).
did you know
At one point in in their career, less than ten paying customers were on hand for a U2 show. In the early 90's, U2 was the biggest export in all of Ireland.