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National Tennis Centre, Melbourne, Australia
October 7, 1989
Sony WM D 3 > pc-62 microphones > first generation analog copy > Yamaha K-540 deck > Soundforge 9.0 > CD Wave Editor > wav. > FLAC
taper: N.N. (to respect the taper's privacy)
CD 1 (45:12)
01 Where The Streets Have No Name (5:57)
02 I Will Follow (4:05)
03 I Still Haven't Found What I Am Looking For/ Exodus - snippet - (5:42)
04 MLK (1:25)
05 The Unforgettable Fire (4:23)
06 God Part II (3:34)
07 Desire/ Not Fade Away - snippet - (4:48)
08 All Along The Watchtower/ Like A Hurricane - snippet - (5:40)
09 All I Want Is You (5:46)
10 People Get Ready - incpl. - (3:46)
CD 2 (46:02)
01 Bad/ Ruby Tuesday - snippet -/ Candle In The Wind - snippet - (8:19)
02 October (2:01)
03 New Year's Day (4:35)
04 Pride (5:25)
05 Angel Of Harlem (3:31)
06 When Love Comes To Town/ In The Midnight Hour - snippet - (4:50)
07 Love Rescue Me (4:55)
08 Star Spangled Banner/ Bullet The Blue Sky/ Whole Lotta Love - snippet - (5:17)
09 Running To Stand Still/ Waltzing Matilda - snippet - (4:34)
10 With Or Without You - incpl. - (2:31)
The photocopy of the ticket says "Upper HH 570 enter door 17". I think the recording position was:
Upper grandstand, section HH, seat 570
The recording is not complete. The taper went to the venue with two C-90 tapes in the afternoon and was able to record the soundcheck
(without expecting this before). There was only C-90 tape left after the soundcheck. To capture nearly all of the songs the tape flip
was too late and People Get Ready is incomplete. There are cuts between Bad/October, New Year's Day/Pride, Pride/Angel Of Harlem, When
Love Comes To Town/Love Rescue Me, Love Rescue Me/Bullet The Blue Sky and Running To Stand Still/With Or Without You to save some tape.
This recording has nothing to do with the "Melbourne Memoirs" recordings by Boyacrobat.
Transfer and upload in July 2011.
Audio / MP3
Bit rate: 192, bit depth: 16, sample rate: 44100, channels: 2
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what they said
"I'd say the benefits of Bono not being around for certain periods have outweighed the negatives - we've made good use of the breaks. That said, fi there was more than one person scattered then we would not have a record at all."
- The Edge on recording All That You Can't Leave Behind
did you know
During the ZooTV Tour U2 introduced a new stage concept called the B-stage. It allows for more intimate and stripped-down performances of songs, later used by Aerosmith, Bon Jovi and Coldplay amongst others.