Originally posted by yeah:[..]
Whaha, that's fucking hilarious.
Originally posted by yeah:[..]
Originally posted by yeah:[..]
Originally posted by http://www.heraldsun.com.au/entertainment/bono-exclusively-reveals-his-love-of-australia/story-e6frf96f-1225973244813WHAT a magical place this is. Surely it's alchemy that has turned this often-parched continent into the most fertile country on the planet.
Surely it's alchemy that has turned this often-parched continent into the most fertile country on the planet. Fertile lands, fertile minds. People full of fun and mischief, up-front, no-nonsense except the nonsense we enjoy and with a point of view like no one else's, not even us who speak, like you, some bastard version of the King's English.
The world looks here to see the Jeffersonian dream of equality in action.
The Government helped advance it when Kevin Rudd, on behalf of the nation, faced up to an uncomfortable past and welcomed - well, if not quite atonement, some measure of dignity, of peace, of grace.
For me a love affair began in 1984, when U2 arrived in Sydney with some new songs: Pride (In the Name of Love), and The Unforgettable Fire. Our band - like countless Irish before us - landed here, fell over in awe. But unlike countless Irish before us, we had no calluses on our hands, unless you count the kind that come from guitar strings and drumsticks.
We got to skip the hard work and head straight for falling in love with the place.
Like all romances, it started out with frivolity, the pure joy of being in someone's company, then blossomed into something deeper, something you can't shake.
We discovered a shared sense of humour, of history, of adventure.
In 1989 on the Love Town tour, my hotel suite was the size of a small country. It may have been the first time I felt like a rock star. I acted like one, too - misbehaving and writing lyrics to fit the mood, in this case lyrics that would fill Achtung Baby, an expat's album, written and then recorded nearly too far from home.
We were already fans of the Melbourne scene, The Birthday Party, Nick Cave and The Bad Seeds, The Triffids and the Go-Betweens from Brisbane. In the '90s, Michael Hutchence became a very close friend; through him we met so many more great Australians. Filmmakers like Richard Lowenstein, artists like Troy Davies, and activist musicians like Peter Garrett, whose moral compass was setting a course even back then.
Romances have ups and downs and we have not always been our best selves here. In Sydney in 1993, the Zoo TV show was a low point in our long career: the only time one of us didn't turn up for a concert. Adam Clayton probably hasn't forgiven himself until this tour. Australia forgave us that and other indulgences. Among them my sanctimony.
I know I can be a pain in the arse. I have an annoying gene; it's in my DNA - I even annoy myself. When righteous anger turns to self-righteous, projectile vomit is the right response.
All I can say is that you can become traumatised as well as inspired by the lives you meet along the dirt road of extreme poverty. Watching the bright light of life go out of some kid's eyes gets me to a place I can't explain.
Sometimes I forget that I'm an artist, but I shouldn't, because that's what I am, a working pop artist in a big F-Off rock band.
In 1998 our Pop Art opus, Pop Mart, connected here.
That album is an ode to the kind of life that Australians seem better able to enjoy than us melancholic Irish - even when we're being light we try too hard, we tend toward darkness.
Pop, which was supposed to capture the fun and frolics of the freedom U2 found in the '90s, turned out as a document of the ensuing hangover. It is my daughters' favourite, which has me worried.
Over the next 10 years, U2 turned inward a bit. We pared ourselves down not in ambition or size, but in sound, to a combo-sized feel re-engaging the shopworn idea of the "rock" single and trying to make it relevant again.
All That You Can't Leave Behind and Atomic Bomb were extremely personal albums, about the essential elements that get you through life.
Our shows in Australia in 2006 were, likewise, emotional outpourings. My father had died; Edge's daughter, Sian, was extremely ill. The contradiction of broadcasting such intimacies on giant screens still amazes me - talk about bleeding on your audience.
But the blood and guts, the rawness of emotion, the joy of release - Australians never fear these things. You relish them.
This time round, we arrive with Jay Z, the undisputed heavyweight champion of the world of hip-hop and so much else. If you never related to rap, Jay's book Decoded is the only purchase you need.
For us, the shows in 2010 have been extraordinary for a host of reasons, not least the engineering of 360. It's like having the audience on stage with the band, as part of the show.
In Sydney we played Love Rescue Me for the first time in 20 years. It was a broken version, but made a strong case for continuing with our new practice of rehearsing in real time.
On this tour we've played songs that we haven't yet recorded: in Brisbane, North Star, in Melbourne, Mercy.
Perhaps with a show the scale of 360 you have to make yourself vulnerable or else it will all get too grand.
The high point of this tour for me has been stage left - watching Adam disappear into the songs like he was hearing them for the first time. His bass and presence are powerful; his physical fitness is a rebuke to the demons that had him so sick 20 years ago. His spiritual strength now sustains the rest of the band.
Edge and Larry, too, seem very conscious of the moment they're in, as they too go on a kind of stage "walkabout".
Occasionally it dawns on us that we've been doing this for a while, but mostly we go at it like we've just put out our first album.
It's quite a lot of fun to go to work with three of your best friends. It's even better to do it in a place you love.
The romance has deepened; it's no longer just the land, the sea and the arts but, believe it or not, the politics, too.
The political landscape of this vast country I cannot claim to understand, but I'm glad that in a place that loves to argue every point, there's total agreement on the commitment to fight extreme poverty wherever it resides.
Both Labor and the Coalition have signed on to spend 0.5 per cent GDP by 2015 on such imperatives. 0.5 doesn't sound like a lot, but it is. Look at it this way: Australia is about to double the number of lives it saves.
And if the resources are spent right, I'm told you can treble the lives saved with the same money. Fighting poverty is a complicated business. There is no panacea. But Australia has qualities and insights that can deliver bang for the buck.
On corruption for example, you could help root out dodgy dealings in the mining industry by making it legally binding for companies to publish what they pay to governments. You are the experts in this sector and have real authority when it comes to showing poor countries rich in natural resources how to use them not to line the pockets of a ruling elite, but to kick-start their economies and lift people's lives.
On education for example - I discovered the amazing statistic that Australia has built more schools in Indonesia than there are schools in Oz.
That tells me that you understand the other key piece to poverty reduction - giving people the tools to get out of poverty themselves.
It was a proud moment for me on World AIDS Day 2010 to stand beside three of Australia's most powerful women, playing Charlie to their Angels, watching the Sydney Opera House and Bridge turn (RED).
The Prime Minister, the NSW Premier and the Head of the Global Fund's support group in Australia were proud too, because they knew they were writing an important chapter in the history of the greatest health threat in 600 years.
The Global Fund to Fight AIDS, TB and Malaria has already put three million people on life-saving AIDS medication.
If we keep this kind of vigil going, by 2015 there will be no children born with HIV - the first HIV-free generation in 30 years of an epidemic which has claimed over 25 million lives.
NSW Premier Kristina Keneally said to me on that occasion that the reason they went to so much trouble on World Aids Day is that they wanted the world to know what Australia and Sydney stand for. I'd picked this up earlier from Prime Minister Gillard. I've picked it up from Foreign Minister Rudd. I've picked it up from Deputy Prime Minister Swan and his Opposition counterpart Julie Bishop, who in turn said Tony Abbott and the rest of the Coalition feel the same way.
This is who you are. The decency of a nation in an indecent world. It would appear a campaigning Irish rock star is the last thing you need around here.
Jim O'Rourke
December 19, 2010
A PADDLEBOARD abandoned on the water's edge during a Sydney beach party hosted by touring Irish rockers U2 sparked a police and helicopter search for a ''missing'' person.
During the afternoon barbecue at a house on Bilgola Beach rented by drummer Larry Mullen and his family, children who were using the board left it lying on the sand just before dark.
Guests at Wednesday's garden soiree in Allen Avenue included U2's singer Bono and his wife Ali Hewson and their children, as well as band members The Edge and Adam Clayton. They were joined by former Australian rock hero and environmentalist Peter Garrett, now federal Education Minister, and his fashion-model daughter Grace.
Bono, who first toured Down Under in 1984 and obviously enjoyed the beachside party, has described Australia as a ''magical place''.
''Surely it's alchemy that has turned this often-parched continent into the most fertile country on the planet - fertile lands, fertile minds,'' the singer and humanitarian wrote in a published essay.
At dusk on the day of the party, lifesavers at the local surf club found the abandoned yellow board near the waterline and contacted Water Police at Broken Bay, fearing a person was missing in the surf.
A Water Police spokesman yesterday confirmed it had sent a launch to Bilgola Beach and that the Air Ambulance was involved in the night-time search: ''The launch and the helicopter undertook quite a significant search for quite a period of time.''
A person watching the search said people at Mullen's barbecue were in the backyard watching the helicopter do sweeps of the beach with its powerful spotlight.
The next morning a person from the house went to the surf club and asked if they had found the board.
U2 play their farewell Australian concert in Perth tonight.
This is not the first time Mr Garrett has been linked to dramas involving Bono. In July 2007 the singer-turned-pollie was forced to deny claims by Silverchair frontman Daniel Johns that he had smoked marijuana with Johns, his former wife Natalie Imbruglia and Bono.
Johns was later forced to apologise over the cannabis claims, saying it was a joke and not true.
Bono and Edge forced to take the train home
Belfast Telegraph, December 21, 2010
By: Ken Sweeney
Sometimes 'you can't make it on your own' -- so U2 escaped getting 'stuck in a moment they couldn't get out of' yesterday thanks to Irish Rail.
Passengers travelling on Iarnrod Eireann's 14.20 train from Cork to Dublin were astonished to find themselves sharing a carriage with Bono and Edge.
Jetting back into Ireland from the latest leg of their world tour in Australia, the U2 stars were forced to land in Cork after Dublin airport closed.
With roads hazardous due to snowfalls and ice, the group's singer and guitarist contacted Irish Rail to reserve first-class tickets on an early afternoon train from Cork to Dublin.
"As far as we understand Bono and Edge had been delayed and had spent 36 hours travelling from Perth, Australia when they were diverted to Cork.
They contacted us and we were delighted to have them as passengers on Irish Rail yesterday," said Barry Kenny of Irish Rail.
Sources claim that stunned passengers on the 14.20 train leaving Cork yesterday initially mistook Bono and Edge for members of a U2 tribute act.
But they realised their mistake over the course of the journey.
© Belfast Telegraph, 2010.
Originally posted by Malahide:Did Bono try to steal a boat again
Originally posted by jofice:Wow I didn't think they'd be home for Christmas
Originally posted by sonia_lastrega:[..]
I LOLed.
Originally posted by MacStripey:[..]
they always are
They're lucky they got back at all Dec201022
Rashas W.
0
Broadway chorus: Shut down ‘Spiderman’!
Several Broadway actors are asking that the production be closed, according to the New York Post:
Broadway actors were singing the same chorus yesterday: Shut down “Spider-Man”!
Several stars took to Twitter and Facebook in disgust after stuntman Christopher Tierney, 31, plummeted 30 feet during a preview of “Spider-Man: Turn off the Dark” Monday night.
Tierney — who remained in serious condition with broken ribs at Bellevue last night — is the fourth actor to be injured in the trouble-plagued, $65 million show.
“Does someone have to die?” Tony-winning actress Alice Ripley blasted on Twitter, questioning why producers are letting the show go on. “Where is the line for the decision makers, I am curious.”
“Spider-Man should be ashamed of itself,” the “Next to Normal” star continued. “This is completely unacceptable and embarrassing to working actors everywhere.”
Veteran “Rent” leading man Adam Pascal didn’t mince words on Facebook, tearing into director Julie Taymor and U2′s Bono and The Edge, who wrote the score.
“They should put Julie Taymor in jail for assault!” he raged.
“I hope [Tierney] is ok and sues the shit out of Julie, Bono, Edge and every other arsehole who invested in that steaming pile of actor crippling shit”
Marc Kudisch, of “9 to 5,” wrote on Facebook, “I wish employment for all my friends. But I wish them safety and security in their employment even more.”
Fourth Actor Injured During Spider-Man Monday Night
Posted: December 20, 2010
By: Sherry Lawrence
Several sources, including local New York Fox Televsion and The New York Times, are reporting that a Spider-Man actor fell after a cable allegedly snapped with seven minutes left in Act II during Monday night's performance of Spider-Man: Turn Off the Dark. Eyewitnesses at the scene said there was screaming in the theater after the incident. The theater went dark and the audience was asked to leave. Ambulances arrived around 10:45 p.m., taking the injured actor to Bellevue Hospital in New York City.
The show's official Twitter feed, @SpideyOnBway, states "An actor sustained an injury at tonight's performance of Spider-Man Turn Off The Dark...He fell several feet from a platform approximately seven minutes before the end of the performance, and the show was stopped...All signs were good as he was taken to the hospital for observation. We will have more news shortly."
Broadwayworld.com is reporting "We're told via a stagehand that this was NOT a flying sequence and that Spider-Man was NOT supposed to drop at all. He was supposed to run to top of the ramp as if to jump with the lights then set to go to black. The cable snapped is what stops him from going over the edge, and that is what failed."
12/21 UPDATE: The actor injured was Christopher Tierney, Spider-Man's primary aerialist. He performs as Spider-Man as well as the villains Kraven and Meeks. He is currently in stable condition. It is also being reported that he landed on his feet after the fall. (UPDATE: Broadwayworld.com is reporting that he suffered broken ribs and bleeding after the fall.) ABC's Good Morning America featured this accident during its morning news program. The New York Times has audience video of the accident. The lights go out while Tierney falls.
Actors' Equity released this statement: "Actors' Equity Association is working with management and the Department of Labor to ensure that performances will not resume until back-up safety measures are in place." Contrary to ABC's report, there is no performance this evening. There is no word about tomorrow's two performances.