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This part is only rated, not commented on Recording: Audience microphone - 3 stars
This part is only rated, not commented on
20 years of my life waiting to see them, and this is what I got.
The crowd was disappointing, even before getting to the stadium, maybe it's just anecdotal evidence, but there were a lot of people going because it would be cool to say "I went to see U2" even if they didn't know nothing but a couple of songs.
In the stadium, around me I was the only weirdo singing and screaming and jumping while everyone else just stared me from their own seats as if we were at some symphonic orchestra instead of at a U2 show.
In my mind it was just a "not-so-awesome" experience, but when I downloaded and listened to the bootleg it came back to me and no. It was not just "not-so-awesome". It was terrible.
The bootleg is even worse than reality with the few guys around the mic talking through the whole show.
Cielito Lindo was a bad choice itself for Bad, but it was worse that it was the only thing people decided to sing along. It looked like they didn't cared about Bad or anything else on the concert, oh but they can sing Cielito Lindo. I had forgotten how embarrased I felt at the moment (after the initial couple of seconds of "oh, that's cool!" when Bono started it), but the bootleg reminded it to me.
Finally, even after Love And Peace or Else had already started, the guys near the microphone in the bootleg are still discussing and betting that it's Desire what they're about to play.
I said finally because that's all that I could take and deleted it on the spot. Didn't even finished the song.
It was so bad I would find it funny if I hadn't been there.
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"I'd love to be able to say it was symbolic, but the truth is we needed a stadium that didn't have a football team, so we could use it for three weeks. Also, Las Vegas is a good place to work - the local crews are very experienced in setting up live shows"
- Paul McGuinness on selecting Las Vegas as opening city for Popmart, 1997
did you know
The Edge received a production credit for Zooropa —his first on a U2 record —for the extra level of responsibility he assumed for the album.