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LOACTION: ARENA , CENTRET WITH LARRY DRUMS 60 M TO THE STAGE.
QUALITY. SOUND IS GOOD, THE AUDIENCE SCREEM A LOT-8-8,5
INTRO: The Whole of the Moon
(The Waterboys song)
1.Sunday Bloody Sunday
2.New Year's Day
(with "Heroes" snippet)
4.Pride (In the Name of Love)
The Joshua Tree
5.Where the Streets Have No Name
(with "California (There Is No… more )
6. Still Haven't Found What I'm Looking For
7.With or Without You
8.Bullet the Blue Sky
(with "America" (from West Side Story) snippet)
9.Running to Stand Still
10.Red Hill Mining Town
11.In God's Country
12.Trip Through Your Wires
(with "Spanish Eyes" snippet)
13.One Tree Hill
(with "Wise Blood" excerpt and… more )
15.Mothers of the Disappeared
(with "El Pueblo Vencera" snippet)
(with "Starman" snippet)
(with "Rebel Rebel" snippet)
20.Ultraviolet (Light My Way)
22.The Little Things That Give You Away
GREAT CONCERT LAST NIGHT IN BARCELONA.I LOVED MORE THAN OTHER PREVIUS TOURS OF U2.
THERE'S NO MANY CHANGES ON THE SET LIST, ONLY B.A.D, WAS INCLUDED THIS TIME WITH SOME LYRICS
OF " HEROES" OF DAVID BOWIE.BONO SAY THAT HE VISIT THE "DAVID BOWIE IS" EXHIBITION IN BARCELONA
DURING THE MORNING AND HE DEDICATED THE SONG TO BOWIE.HE ALSO INTRODUCE SOME WORDS OF "REBEL REBEL"ON VERTIGO SONG
SOME OTHER CUTS OF SONGS LIKE "SPANISH EYES" OR "EL PUEBLO VENCERA" ARE INTRODUCED IN OTHER SONGS
GREAT AUDIENCE,BUT THE SOUND RECORDING HAD SOME PROBLEMS CAUSED FOR THE SCREEMING PEOPLE, SPECIALLY AT THE BEGINING
OF THE SHOW AND END OF CONCERT.AS I INDICATE PREVIUSLY I TAPED THE SHOW ON THE FLOOR AND IS IT VERY DIFFICULT
TO CATCH A GREAT SOUND IN ONE CONCERT LIKE THIS.ANYWAY, THE SOUND IS GREAT AND IN THE SECOND SIDE OF THE JOSHUA TREE
SONGS, PEOPLE ARE VRY QUIET.
RECORDED AND EDITED BY CARBOBUENO
THIS IS ANOTHER CONCERT FROM MY "BARCELONA CONCERT SERIES"
PICTURES MADE WITH MY IPHONE
THANKS TO xAVI, IAN AND MIKI FOR THEIR SUPPORT AND HELP
RESPECT THE QUALITY AND DO NOT SOLD THE RECORDINGS, JUST SHARE WITH CARE AND ENJOY THE MUSIC
Audio / MP3
Bit rate: 224, bit depth: 16, sample rate: 44100, channels: 2
2017-07-18 - Barcelona (Massygo OKMIIR-A3-TDD100)
Gear: Binaural OKMII-Rock > A3 filter: Bass Roll-off settings @ -20dB > DAT Sony TCD-D100 @ 44.1 khz -20dB AGC in LP > 125' Audio Pro Maxell DAT-tape.
Venue: Estadi Olímpic Lluís Companys
Location: Spot B, a bit of center of the deadcenter(spot A). Next to the PA.
I was in front of left light-& camera tower when facing the South stage.
Wind: yes but it can't be heard, was a cool breeze in the hot arena.
Direction: audience facing South
Recording lenght: 148':51":540ms
Produced lenght: 139':26":661ms
Artwork: Feel free to create something nice
Tracking & Toccing DAT-Tape: Sony DAT DTC 670
Transfer & Linage: Sony DAT DTC670 > Dig i/o cableconnection> i/o Creative Labs X-fi HD(SBX) > CD-Wave > wav@32khz/16bit > Flacfrontend
Corrections/fades: CoolEdit 2000
Audience + PA-music
Intro: "The Whole of the Moon": The Waterboys
Sunday Bloody Sunday
New Year's Day
Bad + snippet "Heroes"
Pride (In the Name of Love)
Where the Streets Have No Name
Still Haven't Found What I'm Looking For
With or Without You
Bullet the Blue Sky
Running to Stand Still
Red Hill Mining Town
In God's Country
Trip Through Your Wires & "Spanish Eyes" quoting
One Tree Hill
Mothers of the Disappeared
Bono speech/Audience/miss Syria
Ultraviolet (Light My Way)
The Little Things That Give You Away
Outro + audience
Rules & Rights: DON'T sell this recording!!!
Please do not encode this Flac to MP3 or lossy audio-format for sharing it on low-class servers.
May be use to create matrix's & DVD's, but ask/tell me when you are planning this.
Respect the taper's wish and just share & trade it.
A) Staffmembers might sure be blind, not seeing me with a recorder & mike- mount on my back.
I normally mount the mikes on the fences, not this time and there are 2 reasons.
1. In outside venues staffmembers/security can see through the small holes in those fences can
easy see the wires. This technique is much more handy when you are in the front row. (like my Collogne 2015 recording).
Now the OKM-mikes were mounted on my shoulders underneath my t-shirt.
2. I did notice some peoples do like to smash on the metal of the fences, which would give some unwanted noises
in the recording.
B) Because of the echoing in the stadium, some crackling sometimes appears during "New-Yearsday", music
just went a bit too loud with the echoing and the result is crackling in the mikes and can't be fixed.
C) This was recorded together with some support of my wife, she helped me to wire me up allong my back
to my belt. She was next to me on the left and sometimes... you hear her wispering gently.
I know she is not used to do this kind of 'job' but now when she heard the result she
understood to keep quiet. Her previous concert was August 5th 2001, Antwerp.
We had the 13th birthday of our mariage on July 17th so that is the reason why she was with me.
D) My OKM-rock is now 18 years old, and is still doing it's job. Only the in-ear windfilters are almost dead
and meanwhile i did find some new ones. Hope they make it untill the next concerts.
Anyway peoples, I hope you enjoy this recording.
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"I tend to do something with the guitar sound, use certain effects fo fatten it, rather than just use it clean - though on 'War', it's cleaner than the previous two albums. I use the echo in a very concise way - I try to use the repeats in time with the music. Most guitar players would use the full spectrum of the guitar to get across the power and dynamics, but by using the echo I can get away without using the bottom strings so much. I tend to use three-, maybe four-note chords rather than the full six and to use the top strings, the top end, which gives that distance between the bass and the guitar, and gives me a bit more freedom."
- Edge on War, 1983
did you know
The song 'Who's Gonna Ride Your Wild Horses' is mostly about sexual jealousy, many people believe it's much more than just a love song.