We would like to know which shows you attended and which shows you are going to attend. On this page you can see which members attended or are going to attend this show. Maybe you can send some of them a private message to meet up or talk about this show.
A strong start with I Will Follow adding a punch that had been missing in earlier concerts. The JT set was the main attraction and didn’t disappoint with the visuals on the screen providing beautiful and striking context. The encore featured 3 AB songs with EBTTRT a nice surprise. The band played with energy and a tried and true formula meeting expectations of casual fans. I would have liked to have seen more Rattle and Hum songs seeing it is that albums 30th anniversary but I can’t complain.
This part is only rated, not commented on
Lots of crowd singing and phone waving. On the ground the crowd was highly engaged as one would expect.
I wasn’t originally going to this concert due to the similarity to the 2017 JT tour and the poor venue but managed to get a general admission ticket. I arrived at about 6pm in the rain and battled the crowd trying to buy food and drink from the limited stores available. The SCG is the worst venue in Sydney due to its location, lack of space, poor acoustics and unsatisfactory organisation.
Noel Gallagher stirred up the crowd in his unique way while playing in the rain. He predicted the rain would stop once U2 came on and he was right. It took too long to clear the stage, dry it and prepare it for the main act. U2 didn’t start til 9pm.
Concert was better than I expected and definitely better than the 360 tour 9/10 years ago which lacked energy in comparison. Playing a seminal album gave the concert meaning.
Getting out of the venue at 11pm was tiresome with long queues that also moved slowly.
Welcome to our audio page, on this page you can download lossy (MP3) and sometimes even the lossless (mostly FLAC) audio recordings (also known as bootlegs) of this show. The available recordings are sorted on the type of recording and the quality of the recording.
An amazing U2 photo for every month of the year. Order the
U2start calendar and support the community.
Help! Which recording should I choose? How do I play this? How can I convert these files to MP3? Answers to all your questions and a lot of general information, we have documented it all on our help and info pages.
We hope you enjoy this recording!
Can we ask you to write a short review after you have listened?.
Mixed, Mastered by Sharebear/Hoserama
Aligned in Adobe Audition
Mixed in Reaper, using extra waves and Ozone plug-ins
Dithered using Izotope MBIT+
Flac'ed using Trader's Little Helper
Mix version 20200721
01 - Intro
02 - Sunday Bloody Sunday
03 - I Will Follow
04 - New Year's Day
05 - Bad
06 - Pride
07 - Where The Streets Have No Name
08 - I Still Haven't Found What I'm Looking For
09 - With Or Without You
10 - Bullet The Blue Sky
11 - Running To Stand Still
12 - Red Hill Mining Town
13 - In God's Country
14 - Trip Through Your Wires
15 - One Tree Hill
16 - Exit
17 - Mothers Of The Disappeared
18 - Angel of Harlem
19 - Encore
21 - Elevation Intro
22 - Elevation
23 - Vertigo
24 - Even Better Than The Real Thing
25 - Every Breaking Wave
24 - Beautiful Day
25 - Ultraviolet
26 - Stuck in a Moment You Can't Get Out Of
27 - One
Fairly straight forward mix. This was a single IEM feed mixed with an audience recording. The aud was fairly distant sounding, so having the direct sound of the IEM went a long ways. The IEM feed is the backline crew mix, which is pretty good after some spit and polish. Clicks have been mostly removed, but counts left untouched. Since the source is mono, the change of damaging the original audio is much higher with the count scrubbing. Fair amount of extractions and audio trickery to give the recording a bit more space and balanced. Certainly a bit more mixed and easy listening than having raw feeds panned hard left & right.
Thanks to One8ung for taping!
Distribute this recording only as the original flac files with the original Checksum & Info file!
As always, encouraging people to get into taping and mixing. Just take the craft seriously and it will reward you many times over. There's no point in complaining about missing recordings or subpar quality if you're not contributing--pushing 1's and 0's around on the internet is no substitute for taping.
IEM recordings are not for everyone. If not they're not your thing, either sonically or ethically, there's excellent alternative recordings out there.
Similarly, I'm mixing primarily for my ears. This is what sounds best to me. This may not sound best to you. That's a fair statement. I'm open to honest criticism (although you should have caught me when I was working on the mix!), but pointless complaining is unappreciated (naturally). Let's play nice. Or maybe lug in recording equipment and make an alternate mix of your own sources.
Please don't sell this recording in any way - no cash for blanks, 2:1s, or any other form of "getting paid for your time". Just share it freely.
Please don't convert to mp3, then back to wave, and then trade it around. This stuff is too easy to find on torrents now.
Feel free to remaster/remix this recording. Just keep it to your own computer and iPod.
Also, please don't torrent or share on other sites without at least dropping me a line and asking. This includes Youtube and Guitars101! I may want to just torrent/share it there myself. Just ask permission, it's not that hard.
Please ask (and wait for permission!) before putting it into any matrix + video production. If you ask nicely for a quality high-res video project, I will likely say yes. If you put it on YouTube or cell phone video production without asking, I will send my cats from hell to chew your computer cables.
Welcome to our photo page, on this page you can view and download high resolution and high quality photos of this show. No low resolution or low quality photos are accepted, you only see the very best of the best. Of course you can also upload your own high resolution and high quality photos easily.
"This is for the fans of our more recent work, the more committed fans who really listen to everything and go to everything."
- The Edge on the Experience and Innocence tour
did you know
"At the start of the U2360° Tour, the band weren’t planning to shoot the Rose Bowl. They wanted to do a shoot in Fez, a town in Morocco in a ‘riad’ – a type of Moroccan house built around an open 360 degree courtyard – and there would be 100- 200 invited people there to see it."
- Malcolm Gerrie, producer of the 360 Tour DVD