Performance notes: Live debut of Babyface. MacPhisto's call after Desire is to the author Salman Rushdie, who had been in hiding since January 1989 after Iran's Ayatollah Khomeini issued a fatwah on Rushdie due to Rushdie's novel The Satanic Verses. It turns out Rushdie is actually in the venue and he comes on stage and hugs Bono. It is his first public appearance in nearly five years and it receives worldwide media attention. A few years later, U2 recorded a song written by Rushdie entitled The Ground Beneath Her Feet and it appears on some editions of All That You Can't Leave Behind. Setlist and comment provided by U2gigs.com.
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Very strong performance. All songs are delivered well. Bono's voice is strong. The bass is especially noticeable here -- thump thumping away, you can feel it all the way down your neck and back.
Not bad sound at all. It was a little better for the first few songs, but remains quiet good throughout. Recording: Audience microphone - 4.5 stars
Great audience, not overpowering either.
Very good show. This is the night of Salman Rushdie and the Sarajevo linkups.
-Zoo Station (this is probably the best performance of it)
-Even Better Than the Real Thing
-Until the End of the World
-New Year's Day
-Numb, Zooropa (short), and Babyface are quite good and nice to see, but I don't know that I'd agree with the votes for this as the best performance of Zooropa
-Bullet the Blue Sky
-Mr MacPhisto, as always. Salman Rushdie is a treat.
-Love Is Blindness (superb!)
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"Sometimes we get photographed a bit too much, and for the wrong kinds of papers. You feel like saying, 'I just play bass! You don't need me in your paper!' But it's a celebrity culture, and we don't suffer for it too much. We're good at hiding behind music, but sometimes people do get excited for the wrong reasons."
- Adam on the downsides of being U2's bassist
did you know
The Edge said the song 'If God Will Send His Angels' is about a woman beaten by her husband, and she tells him her feelings and hopes.