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Can we ask you to write a short review after you have listened?.
The IEM has a bit of a echo to it, couldn't get rid of it obviously. The audience wasn't the
best (no offense to anyone), but overall, it sounds pretty good. Desire has an IEM drop out
for the first minute or so and a small dropout just after the IEM comes back into full swing.
Stay also has a small IEM dropout for just a quick second or two. I did some EQ to help liven
the recording up, nothing to fancy, but better than the original recordings.
I've read that there is another Arnhem 7-31-2001 matrix out there. I've never seen it anywhere,
so here is this one.
02 Beautiful Day
03 Until The End Of The World
04 New Year's Day
05 Kite Intro
08 New York / New York New York (snippet)
09 I Will Follow
10 Sunday Bloody Sunday / Johnny Was (snippet) / Get Up Stand Up (snippet)
11 When I Get Home (snippet) / Stuck In A Moment You Can't Get Out Of
12 In A Little While
13 Desire (starts off AUD only)
14 Stay (Faraway, So Close!)
15 Bad / Norwegian Wood (snippet) / 40 (snippet)
16 Where The Streets Have No Name
17 Mysterious Ways / Sexual Healing (snippet)
18 The Fly
19 Bullet Intro
20 Bullet The Blue Sky
21 With Or Without You
22 One Intro
24 Wake Up Dead Man
25 Walk On
**Do not encode to MP3 except for you iPod or whatever. Don't sell this.**
1. Sgt. Pepper's Lonely Hearts Club Band
3. Beautiful Day
4. Until The End Of The World
5. New Year's Day
8. New York
9. I Will Follow
10. Sunday Bloody Sunday
11. When I Get Home
12. Stuck In A Moment
13. In A Little While
15. Stay (faraway, So Close)
1. Bad / 40
2. Where The Streets Have No Name
3. Mysterious Ways
4. The Fly
5. Bullet The Blue Sky Intro
6. Bullet The Blue Sky
7. With Or Without You
9. Wake Up, Dead Man
10. Walk On / Hallelujah
Audio / MP3
Bit rate: 192, bit depth: 16, sample rate: 44100, channels: 2
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"It's a terrible cliche, but they are the most important thing in my life. More than any album. They're where it's at."
- The Edge, 2001, about wife Morleigh and his children
did you know
While the band and crew were working on the Joshua Tree album's mixing, Lillywhite's wife, singer Kirsty MacColl, volunteered to set the running order for the album. The band told her to put "Where the Streets Have No Name" first and "Mothers of the Disappeared" last, with the rest sequenced according to her preference.