[…]
KeithM Master via JEMS
1644 Mastered Edition
Recording Gear: Sony ECM-939 Stereo Microphone > Sony Walkman D6C
JEMS 2017 Transfer: master cassettes > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 > iZotope RX6 and Ozone 6 mastering > Peak Pro 6 (post production) > xACT 2.39 > FLAC
01 Stand By Me
02 MLK
03 Pride
04 Trip Through Your Wires
05 I Will Follow
06 Bullet The Blue Sky
07 Running To Stand Still
08 The Unforgettable Fire
09 Sunday Bloody Sunday
10 Exit
11 In God’s Country
12 The Electric Co.
13 October
14 New Year’s Day
15 Gloria
16 Bad
17 Where The Streets Have No Name
18 I Still Haven’t Found What I’m Looking For
19 With Or Without You
20 40
Known Issues:
-Running To Stand Still: two splices
[…]
Los Angeles, April 22
The legendary closing night of the high-profile, five-show stand in Los Angeles is one of tour’s best. For the first time, the band turns the set list on its head, moving songs out of their familiar positions and changing the dynamic of the set substantially. The night opens with a surprise as instead of Ben E. King’s “Stand By Me” fading out as the pre-show music, the band pick up and finish the song themselves in its first-ever performance.
Spirits are high throughout as the mixed-up order and closing night energize the band, who are playing at a peak already. The tour debut of “The Electric Co.” is another highlight and it is refreshing to hear “Where The Streets Have No Name” and “I Still Haven’t Found What I’m Looking For” so late in the show.
It would appear KeithM’s master is the underlying recording for circulating copies of this show, including the bootleg “U2 Versus The US,” so this should represent an upgrade to all. Of the four nights KeithM recorded in LA, it is probably his best, with rich, full sound and very few issues. Samples provided. Given the historic significance of the show, we are presenting the recording in both 1644 mastered and 2496 unmastered editions.
I’d like to express my personal gratitude to KeithM for loaning us his precious master tapes and allowing us to share his work. He is enjoying reading your comments so please keep them coming. Special credit goes to DIME member bitrate for helping me connect to KeithM and remaining persistent as the months went by before we finally got things going with the tapes. Lastly, there’s no one JEMS trusts more to handle post-production of this series than our esteemed colleague mjk5510. Thanks to him for his continued vital support of our efforts. Without him, our recordings would come out a whole lot slower.
BK for JEMS