"16-bit version"
Taped by popmarter@gmail.com from seats.
Mastered for 16-bit by BIGGIRL
Source: AT853 (cards) microphones > Naiant IPA > Sony M10 (Line-in)
Lineage: [digital master @24/48] > .wav > USB > Wavelab 6# > CDwave >
TLH (6) > .flac > [BIGGIRL]% > fre:ac > .wav (24/48) > iZotope RX 05^
> Adobe Audition CC > .wav (16/44.) > Frontend FLAC (7) > .flac
#, %, ^, see below (notes)
TRACK LISTING:
01-[PA intro: It's A Zootiful World/MRI/Chaplin]
02-The Blackout
03-Lights Of Home
04-I Will Follow
05-Gloria
06-Beautiful Day
07-[on "innocence"]
08-Zoo Station
09-Stay (Faraway, So Close!)
10-Who's Gonna Ride Your Wild Horses
11-[intermission: Hold Me, Thrill Me, Kiss Me, Kill Me (remix)]*
12-Elevation
13-Vertigo
14-[Chapter on "Vertigo"]
15-Even Better Than The Real Thing
16-[MacPhisto]
17-Acrobat
18-[monologue]
19-You're The Best Thing About Me
20-[The "experimental" phase]
21-Summer Of Love
22-Pride (In The Name Of Love)
23-Get Out Of Your Own Way
24-New Year's Day
25-City Of Blinding Lights
26-[encore break]
27-["Women Of The World"]
28-[introduction to "One"]
29-One
30-Love Is Bigger Than Anything In Its Way
31-13 (There Is A Light)
*full title: "Hold Me, Thrill Me, Kiss Me, Kill Me
(The Gotham Experience Remix featuring Gavin Friday & Régine Chassange)"
NB: additional edits of tracks 17 and 18+19 (as one track!) are included to
allow for a 2CD set.
--------------------------------
# fades and normalized to -1dB
^ 0-30 Hz cut-off, "Spectral Repair", "De-Click", "Dither" (Mbit+), "Resample"
"EQ Match" & "Gain" (L. +4.4dB & R. +0.9dB => True peak @ -0.1 dB).
%BIGGIRL notes:
Contacting the taper quickly led to a nice conversation in which was decicided
upon a 16-bit version of this excellent recording with some additional mastering.
I used the 24-bit version that was shared on u2torrents instead of the raw master,
mainly for practical reasons. The Wavelab 6 "normalization" only added some
amplitude (without clipping), so no qualitive change had been made.
"De-clicking" with the iZotope RX05 was done pretty firmly. "Spectral Repair" was
used quite extensively to remove all sorts of rumble in the low region (hence an
additional "cut-off" of the 0-30 Hz region), and, too, to remove - or diminish at
least - the most intrusive screamings. Some low volume chat and an occasional cough
were left alone.
Lastly I used "EQ Match" to bring the recording close to "par" with the superior
second night recording of popmarter@gmail .
BIGGIRL - October 11, 2018
- 24-bit master first shared on U2torrents.com in October 2018
- Remember the Johan Cruijff ArenA (Amsterdam Arena) is a soccer playing ground,
not a music venue. Ziggo Dome is. Respect the taper, listen to the recording.
- PLEASE keep this info file with the flacs
- RECORDING OF INDETERMINATE / INDEPENDENT ORIGIN : DO NOT SELL
MADE IN HOLLAND (E.U.)